Questlove joins social media debate defending Meg White’s drumming ability

Questlove joins social media debate defending Meg White’s drumming ability

Questlove has entered the social media debate over the drumming of The White Stripes‘ Meg White, defending her ability.

The discourse around White’s drumming was revived recently by Twitter user Lachlan Markay, who, when replying to a tweet about the genius of ‘Seven Nation Army’, commented: “The tragedy of the White Stripes is how great they would’ve been with a half decent drummer.

“Yeah yeah I’ve heard all the ‘but it’s a carefully crafted sound mannnn!’ takes. I’m sorry Meg White was terrible and no band is better for having sh*tty percussion.”

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In response, Questlove shared his appreciation for White, and why he believes this sort of comment is emblematic of negative changes in music listening habits.

He tweeted: “I try to leave ‘troll views’ alone but this right here is out of line af. Actually what is wrong w music is people choking the life out of music like an Instagram filter—trying to reach a high of music perfection that doesn’t even serve the song (or music).

“This is why I walk that Dilla path and play like a drunken sloppy af amateur because them flaws is the human element in music that is missing. Real film >>>>>>> IG filter photo,” he added.

Elsewhere, other musicians also came to White’s defence, including Against Me! singer Laura Jane Grace, who wrote: “Simplicity with soul will always be more impressive to me than technical virtuosity. People like to criticize drummers like Meg or Penny from Crass but literally no one can recreate their feel. And it’s always men who have this bad take.”

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Elsewhere, Third Man Records have announced plans to release an expanded 20th anniversary reissue of The White Stripes‘ seminal 2003 album ‘Elephant’.

Entitled ‘Elephant XX’, the package includes a new mono remix of the entire record on red and white LPs, a red glitter 7 inch with Jack White‘s original solo demos of fan favourite ‘Hypnotize’, a DVD with never-before-seen footage from the era, and a 28-page booklet of previously-unshared photos, all housed in a custom slipcase.

Mixed by White and Bill Skibbe at Third Man Studio in Nashville, the mono remix was executed on the same Calrec board used to complete the original stereo mix of ‘Elephant’ at Toe Rag Studios in London back in 2002, according to a press release. You can view a trailer and artwork below.

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